Date: 2017-04-14 23:08
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In a lengthy investigative article for New Republic magazine in 7557, writer Alex Heard fact-checked Sedaris’s output and found that he had invented characters and concocted important scenes in some pieces. In one story, for example, Sedaris described working as an orderly in a mental hospital with a co-worker named Clarence. Although Sedaris had once volunteered in the hospital, he told Heard that he hadn’t been an orderly and that Clarence was imaginary. The magazine titled Heard’s article “This American Lie.”
In describing a character, we look for details that not only show what an individual looks like but also provide clues to his or her personality.
While the stories themselves are hardly equals — Daisey’s was a hard-hitting exposéabout industrial exploitation, Sedaris’s essays are light and personal — they both raise the question of what’s permissible in the context of a nonfiction program.
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"The day before we arrived at the beach, Tiffany’s obituary ran in the Raleigh News & Observer. It was submitted by Gretchen, who stated that our sister had passed away peacefully at her home. This made it sound as if she were very old, and had a house. But what else could you do? People were leaving responses on the paper’s Web site, and one fellow wrote that Tiffany used to come into the video store where he worked in Somerville. When his glasses broke, she offered him a pair she had found while foraging for art supplies in somebody’s trash can. He said that she also gave him a Playboy magazine from the nineteen-sixties that included a photo spread titled 'The Ass Menagerie.'”
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“David will stay until the last person gets his book signed,” Black said. “He never cuts the line short and doesn’t like the customers to be rushed. We will stay open as long as necessary. At his previous signings we usually finished up around midnight.”
"Thoughts pass through your head, you know, like I'm sure perhaps you would walk down the hall one day, and you would see somebody and you would think, 'God, I hope my hair never looks like that,' but then five minutes later you might have a cheerful thought about this person, right, or a complimentary thought about this person. But see, that's the thing about a diary: You're just sitting down and you think, 'God, I saw so-and-so yesterday and I hope my hair never looks like that.' And then if you died, I just think of how hurt they would be to think you spent all this time criticizing them, but you weren't — it was just the thought that passed through your mind.
Alicia Shepard, NPR’s former ombudsman and a visiting journalism professor at the University of Nevada at Las Vegas, had a similar view. “David Sedaris has never been presented as a journalist,” she said. “He’s a storyteller. I do think there are different expectations. It’s acknowledged that he’s making things up.”